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In this biography of Ludwig van Beethoven you’ll find some unusual
information about this composer and his relation with the viola.
Ludwig van Beethoven is one of the most widely popular and admired classical
music composers, thanks to the powerful
communicativeness of his music.
Just to give a personal example... I have a sister
who one day,
while getting ready to go and take an exam at the university, was
listening to the radio broadcasting one of Beethoven’s symphonies.
Later she said that she went to her exam with much more energy and felt
that it had helped her in passing the exam. Since then, whenever she
had an exam, she used to listen to that symphony on purpose while
getting ready, to get the right energy for her exams. The
beginning of Beethoven's fifth symphony is one of the most famous
pieces of music ever. Indeed he is best known for his instrumental music:
symponies, piano sonatas and concertos with orchestra and string
quartets. His
music has been exploited politically, and now the theme for the last
movement of the ninth symphony is the European Union anthem.
Back
to Beethoven's biography.... As it was common in those times,
Beethoven was a piano and violin player, although what hardly anyone
knows is that he played
the viola too and in this page you'll read about his life,
his works and how he used the viola in his chamber music and symphonic
works.
Youth in Bonn

A plaque on the wall
of Beethoven's house in Bonn, commemorating his birthplace IN
THIS HOUSE LUDWIG VAN BEETHOVEN WAS BORN ON
17TH DECEMBER 1770
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| Beethoven was born in Bonn, in the house
that you can see in
this photo, which has now it has been turned into
Beethoven
museum. I was in Bonn some time ago and of course went to
visit it. I always love to
visit famous peoples' homes,
to me it's a great way to understand more about them as men. There you
can see his instruments, original manuscripts, letters,
paintings, objects from his everyday life and his viola.
Ludwig, who also had two younger
brothers, was the son of a tenor at the court
service,
who played and taught also piano and violin. Ludwig started very early
to have piano and violin lessons from his father
and later was given viola lessons. He first
appeared in a concert in 1778 playing piano. The
first written mention of Beethoven is by his first important teacher,
Neefe, in a music magazine in 1783: it is about...
...
a boy of 11 years of most promising talent. He plays the piano very
skilfully and with power,
... the chief piece he plays is The Well Tempered Clavier of Sebastian
Bach... Mr Neefe had nine variations for the piano, written by him...,
engraved. ... He would surely become a second Wolfgang Amadeus Mozart...
This was Beethoven’s first published work.
Through his teacher,
Beethoven worked as a cembalist in the orchestra and organist. He was
also enjoying a reputation as a piano virtuoso in
the area where he lived. In 1787 he visited Vienna, maybe met Mozart
and had a few lessons, but had to go back soon because of his mother
bad health, who died later.

The viola that Beethoven played in Bonn
orchestras | A series of family
misadventures
(his father started to drink heavily),
in 1789 led the young Beethoven, not yet 19, to place himself at the head
of his family,
composed now of his father and two brothers. He asked and obtained half
of his father’s salary to support the family. Since then, for about
three years Beethoven played the viola in the two orchestras
of the court chapel and of the theatre and began to be an active
composer and to form a circle of friends from the most respected
families in Bonn. Beethoven's viola and bow are now kept in his
house-museum. You
can see it there in a cabinet and even listen to how it sounds. They
sell a CD with Beethoven's own Nocturne
and other contemporary music played on it.
By
the way, I wish to thank my friend Stephen
Wassel for this nice photo. |
By playing an
instrument, a composer would get to know it well and could then decide
how to use it in his compositions and sure by playing the viola in the
orchestras Beethoven did his apprentship and later used this acquired
knowledge when writing for viola in his chamber music and symphonic
works, as we'll see.
Over these years Beethoven also composed a number of works for the
court celebrations.
Beethoven in
ViennaIn 1792
Beethoven moved to Vienna to study composition with Haydn. On
leaving, the powerful Count Ferdinand Waldstein, who had become a
devoted friend and patron, wished him “to receive Mozart’s
spirit from Haydn’s hands”.
In Vienna Beethoven began to take lessons from Haydn, Albrecthsberger
and Salieri. They commented about his stubbornness and his self-will.
He was introduced into the aristocratic
circles and became famous as a piano improviser,
performing variations on a given theme, although later on he developed
a dislike for playing in society. Aristocratic families in Vienna used
to spend a lot of money on music and some had their own
orchestra or opera company, or at least a wind band or a string
quartet, and organised private concerts in their plaaces. In
1795 Beethoven
appeared at some important concerts as a virtuoso and a
composer,
playing a piano concerto of his and also a Mozart's one.
When Beethoven began his career
as a piano
virtuoso, the
piano was not the instrument as it is now, it was in its infancy.
Beethoven contributed to its technical development, to the enlargement
of its range. He was famous for his cantabile, legato
playing.
His first works published in
Vienna were three Piano Trios and three piano sonatas later. One of Beethoven's supporters and
patrons was Prince Lichnowsky. With him
Beethoven went on a tour to Prague, Leipzig, Dresden and Berlin, giving
concerts with great success. Beethoven’s first big public
concert
in Vienna was in 1800, including his first symphony, a piano concerto
and the Septet. The first symphony was dedicated to Baron von Swieten.
Another one among the many early
supporters was Nikolaus Zmeskall von Domanovecz
who became a lifelong friend. He was an amateur cellist and composer of
quartets, who ardently promoted performances of Beethoven’s music. It’s
very likely that Beethoven wrote his
Duo
for viola and cello
"with two obligato eyeglasses"
for this friend and himself to play it. It was written in 1796 but
never published until 1912. Here are some
chamber music works interesting for the viola, most
of which written during this initial period in Vienna. - Duo
"with two obligato eyeglasses" for viola
and cello
- Serenade
op.8 for violin, viola and cello
- Septet op.20 for clarinet,
horn, basson, violin, viola, cello and double bass
in E flat
- Serenade op.25 for
flute, violin and viola
- Nocturne op.42 for viola
and piano (trascription of Serenade op.8 for violin, viola and cello)
- Quintets op.29 for two violins,
two violas and cello
together with more
piano sonatas, cello sonatas, songs, string trios op.8 and more works. From
this time there are letters with the publisher Franz Anton Hoffmeister
(also a composer of two viola concertos and viola studies), who was
also friend of Mozart
and published some of his works, as well as of
Beethoven's First
Symphony, the Second Piano Concerto, the Septet and the famous
Piano Sonata "Patetique".
  Portrait
of Ludvig Van Beethoven with a lyre, 1804
Giclee
Print
Mahler,...
Buy
at AllPosters.com
Beethoven's deafnessFrom the
biography of Ludwing van Beethoven, what greatly impresses most people
is learning that Beethoven was deaf and yet was able to compose such
wonderful music.
Indeed Beethoven was not yet 30
when he realised that he was losing his hearing. He had kept it secrect
for a couple of years before writing to two old friends of his, in
1801. This was a tragic fact for a musician and affected very
seriously Beethoven's profession and social life. In his letters he
says that he, by nature a very sociable person, was leading a
miserable life, avoiding people, appearing
as a misanthrope, not being able to say that he was deaf.
In
1802 he wrote a letter to his two brothers and to the
world, the so-called Heilingenstadt
testament
(after the name of the place outside Vienna where he was spending some
time), expressing all the despair of this condition,
thoughts of suicide, that only his art withheld him, with the idea of
having to complete all he could produce. This letter was found only
after his death, and helped to better understand his character.
At
this time he was
also in love with a young girl who soon after married somebody else (he
never had much success with women and never married). Many experts
think that she was the girl for whom Beethoven wrote his Moonlight piano
sonata.
Listen to
a bit of music: Quartet n.3 op.
59, listen to the viola starting the
fugue (recording borrowed
from Beethoven
museum). ...
and more is coming
 
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The house in Bonn where
Beethoven was born
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